Artists House Music

Your search for evan stoudt returned 19 result(s).

evanstoudt
Nov-25-2008 4:34pm

Simple Tips for Success: Follow your Fans on Twitter

This week’s Simple Tips for Success is aimed to help you maximize Twitter using TweetFeed.

If you’re doing something right and gaining some traction, chances are that your band, product, name or service is going to get mentioned on the Twittersphere.

So what should you do?

Find and follow those users that are talking about you!

Those are the people you want to connect with.  Those are “the few” that Andrew suggested you focus on in last week’s Simple Tips for Success.  Those are the people that care about you enough to share you with their friends, and you should do your best to add them to your network.

What’s the simplest way to do that?  Follow them on Twitter.

Following people is as easy as a clicking the mouse, but the real challenge is finding out if and when people are talking about you.  What is the best way to find if people are talking about you? Use TweetFeed.

TweetFeed

TweetFeed is a simple, easy to use service that allows you to create ‘feeds’ for terms mentioned on Twitter.  Basically it is Google for Twitter.  Want to see it in action?

Check out the Artists House tweetfeed.

So the process works like this.  Sign up for an account with Tweetfeed (takes less than five seconds), set up a feed you’d like — say ‘your band’s name’ or ‘your name’ or anything else you’re interested in, and you’re good to go.  Then you can check on it periodically — once a day — once a week — and click through to twitter to follow the people that mentioned you.

This is a great way to show your fans that you truly care about them, and want to connect.  After you follow them, you could send them a direct message, get them to follow you, and create mutually beneficial two-way communication.

Anecdotally, this could also be a great way to get people talking about you.  I have specifically seen occurrences where friends tweeted out about Hulu, got followed by Hulu a few hours later, then re-tweeted their excitement about what happened.

I even blogged about McDonalds when it happened to me.

—————————————————————————————

What do yall think?  Any other ways to do this?  Comments?
Do you know of any bands that are doing this?

Bookmark and Share
evanstoudt
Nov-20-2008 4:58pm

Artists House Vault: Samples

In music production and recording, using samples can often create sticky situations.  Artists House has some great videos that explain samples from a few different viewpoints — legally and otherwise.

On the “pro” side of samples is Dr. E. Michael Harrington, professor of intellectual property at Belmont University in Nashville.

Legal Challenges and Cultural Benefits of Sampling Copyrighted Material:

On the “con” side of samples is John Kellog is an entertainment attorney, performer, and Assistant Chair of the Music Business / Management Department at Berklee College of Music.

Does it Make Business Sense:

Sampling has been a hot topic in the music industry and still remains to be, due to the legal ramifications of using samples illegally.  Sampling is not always illegal, however.  You can license the work, or simply “sample” pieces of audio that you’ve created, or licensed with creative commons.  For more info on the basics of sampling, check out Mike King’s A Beginner’s Guide to Sampling.

For more videos on sampling — head over to Artists House.

Bookmark and Share
evanstoudt
Nov-19-2008 10:31pm

Reader Profile: Josh Belville

Hello all!

Our first Reader Profile is up, and the artist we’ve chosen is Josh Belville.  Josh wrote a guest blog earlier this week about Viewing Piracy in a New Light.  It’s a great read, so be sure to check it out.  Besides being a great writer, Josh is also talented musician and actor. 

Check out the interview below, and while you’re at it give his song She Never Told Me a listen.

Josh Belville

MP3: She Never Told Me

How did you get your start with music?

I was born into a musical family with no intention, originally, of playing music.  My father was a country-western drummer in the 60s and 70s, traveling across the country with my mother and my two older brothers.  They eventually settled in Nampa, Idaho in the early 80s, when I was born.  My brothers both play rhythm instruments — Russ, the oldest, plays a six-string bass and Matt plays drums, and my dad stopped playing drums and took up bass himself.  My mother, however, plays no instruments but was an actress in high school and did community theatre afterwards, so I caught the acting bug instead of the music bug.  I did theatre in high school and then waited a semester before going to college to study Theatre Arts at Boise State University — which is when I first picked up my father’s dusty Telecaster and started to teach myself how to play guitar.  This was 2002.  I received a few impromptu lessons from my father’s friend Henry, who is an excellent guitar player and teacher.  He also bought me a book of chords and said, “memorize these.”

The first song I ever learned how to play was the Stray Cats’ “I Won’t Stand in Your Way” which, if you know the song, is a little more difficult for someone who could barely switch chords!  But I persevered and eventually learned to play at lot of the early Beatles catalog and other simple songs.  Then one day my father took me to a pawn shop and I purchased a Yamaha acoustic guitar and a beat up soft shell case for $150, both of which I still own to this day.  The strings were really high off the neck, making it extremely painful to play for longer than fifteen minutes at a time.  I’m really glad it was painful, though, cause it built up much needed callouses.

And that’s really about it.  I don’t remember the first song I wrote, but I can guarantee you it probably wasn’t good.  But I kept writing and singing and eventually thought about putting songs together into albums, and the next thing you know it’s suddenly become more than just a hobby!

You submitted the song “She Never Told Me.”
Could talk some about the song? 
What was the recording process like?


I was pretty low-fi to begin with.  My original recordings are me, guitar, a computer microphone, and an old copy of Cool Edit Pro that I pirated off the internet.  I probably shouldn’t say that here but I’m all about honesty.  Eventually I bought a preamp and a nice cheap acoustic-electric and my father let me borrow a good microphone, and I was dabbling with a drum program called Hydrogen.

So when I recorded Songs for Summer, which is the EP where “She Never Told Me” is located, I decided to strip away all the new fangled stuff I had bought/received/stolen and start from an organic place.  But I also wanted to experiment with layers of sound, and the sensation of an entire band or group of people on the album — even though it was just myself.  So I doubled vocals, and recorded several different guitar tracks, playing the same chords at different frets, with capos.  I also included a $12 tambourine and $3 egg shaker I bought at Artichoke Music in Portland.  My idea was no bass, no drum machine, only percussion and guitars and “organic” sounding instruments.

“She Never Told Me” was the climax of this organic process.  I truly love that song. When asked “What’s your favorite song?” by people I tend not to answer directly, because I find it somewhat narcissistic to talk about one’s own music like that, but if asked I will almost always say “She Never Told Me”.  It just sounds good.  It sounds fun and bright and like a group of people are at a bonfire, just jamming. And juxtaposed with the lyrics, which for me are simultaneously very honest and heartfelt while also being a bunch of things that have never happened to me … I think it all came together wonderfully.  It’s deliciously low-fi and comes straight from my heart at that moment.  I only have a handful of songs in which I feel this way.  So it was a special process for me.

What are some of the things that you do to “Get Social”?

I’ve had a website for years now, zornog.net.  I’ve been on myspace for years. I’ve generally spent a good portion of my teenage/early adulthood years on the internet, so I have a good grasp of how to get myself out there.  If you Google my name you’ll find it’s all over the damn place.  I have a Twitter, I have Facebook. I’m dabbling in other music sites like ReverbNation but right now I’m just establishing my fan base through my website and myspace because they are where people know me first and foremost.

I also make it my personal mission to not be one of those “mysterious” artists who shrouds themselves in secrecy on the internet.  I do the opposite — I used to use my real name back in the day when people were terrified of privacy online (this was ten, twelve years ago — the America Online days, when the internet was still a jungle).  I have a LiveJournal, where I regularly complain.  I like to be known as someone you can be friends with, because it’s true.  When I write blogs it’s not as someone who is “better” than the fans/friends reading — it’s just me writing to you.

The only thing I haven’t gotten into yet, but must, must, must, is YouTube.  I have an old computer and the logistics of setting up a webcam is difficult.  I just need to own up and buy a Macbook already!

Where have you found the most success promoting your music?

Myspace and Twitter.  Hell, I wouldn’t have known about Artists House Music without Twitter. And the connections I’ve made just through a simple micro-blogging site are staggering.  I almost didn’t join, it, either — my friends had already thought of it as a “passing craze”, but I figured if a guy could get out of an Egyptian jail by texting “arrested” to his Twitter account, then that was a service I needed to be a part of!

(Editors note: I saw that article too… here at CNN.)

But really, outside of touring — which is and should be the number one way to promote yourself — Myspace is widespread enough that you can get your name out there, and Twitter is just very cool.  I’m still trying to figure out the whole “SEO” concept, though.  I hadn’t even heard of that term until someone used it on Twitter!

What is your plan for the future?

Right now I’m establishing a name for myself in Portland, having moved here just a couple months ago from Idaho.  Since I’m an actor as much as a musician, I have two different artistic ways of doing that, which can get kind of confusing at times.  But really, it just boils down to auditioning for shows and going to play open mics around town, until I establish a fan base.  I’ve got a lot of work ahead of me, but it’s the most fun kind of work!  :D

——————————————————————————————————

What do yall think?  Have any questions for Josh?  Leave them here in the comments section, or go check out his website. If you’d like to be featured here in the future, submit your music to us using the drop box to the right!

Bookmark and Share
evanstoudt
Nov-14-2008 1:15pm

Artists House Vault: Kelvin Brown on his Gear, Forming a Company

Artists House has some fantastic interviews with a producer / entrepreneur / student who is getting his hands dirty - Kelvin Brown.

Kelvin on his gear — how he produces — and competition:

An interview with Kelvin and George Howard:  This one is a little bit longer, but gets into some of the facts about forming an LLC or alternative businesses.  If you have the time and any interest in setting up a company, this is a must watch.

To listen to Kelvin’s music, check out his blog.  You can also find a lot more great interviews with Kelvin at Artists House.  Hope you enjoy!

Bookmark and Share
evanstoudt
Nov-14-2008 3:52am

Muxtape Relaunch

It appears that Muxtape is nearing its relaunch as a service for bands.  Previously, M was a free service that let users create customized mixtapes of their favorite songs by posting mp3s from their hard drive.  That drew attention from the RIAA and the service was shut down.

So far, details about Muxtape’s new form are limited, but it seems that Muxtape will offer an embeddable ad-free music player with which artists can host their songs.  Its not certain yet whether artists will be able to blogtail, but we’ll update you here once the news leaks.

Check out the new interview with Muxtape’s founder Justin Oullette.

At the end of the video, Justin gives a shoutout to Francis and The Lights — the band that announced its formation as an LLC last week.  Good stuff.

VIA

Bookmark and Share
evanstoudt
Nov-13-2008 6:05pm

Simple Tips for Success: Get Social

For this week’s Simple Tips for Success, I’d decided to use my contribution to Project 100: Marketing in the Social Media Era — a collaborative book project I’m going to be a part of.  Given that you’re here and being proactive about your musical career, I may be preaching to the choir, but you may find some insight in it too.

Get Social: The New Call to Action for Bands

Historically, the ultimate call to action for bands was to “get signed.”  It was the rallying cry, the raison d’être, and rightfully so; for most bands, a record deal represented fame, success, women, and cold hard cash.

That was then, this is now.

The major record labels are bleeding money and the old model for doing business in the music industry is trending towards extinction.  For virtually all bands getting started, record deals are wholly unnecessary.  Modern technological advances have rendered the “life-giving” services of major labels moot.

What does that means for bands?

It is now time to adopt a new call to action: Get Social.

Getting Social means embracing the opportunities created by new technologies, namely the Internet.  Getting Social requires that bands lose the “hands off” attitudes toward business that they exhibited in the past and switch to a focused involvement in the management and promotion of their music.  Here are some of the best tools available:

  • Use Twitter to determine where to book your next show.
  • Use Facebook to create a stronger bond with fans.
  • Use Tumblr to share studio / tour / and other updates with family, friends, and fans.
  • Use Myspace to host your demo and tour dates online.
  • Use TuneCore to get your music onto iTunes.
  • Use Google Analytics to track your website’s traffic.

The above examples all represent a way for bands to utilize modern technology to synergize their offline world (live shows and recording) with their online world (promotion and fan interaction).  Let’s face it, bands can no longer ease through weekly practice in the garage, throw some flyers up on telephone poles around town, and hope to get swooped up by a major label.  They need to get involved and create meaningful conversations with their fans – online and offline – in order to be successful.

Getting Social requires musicians to undertake a monumental shift in attitudes – to become entrepreneurs.  Instead of striving for a record deal (immediate gratification), musicians must take deliberate, paced steps towards career investment (delayed gratification).  If you can use social media to turn 10 people at a show into 20…and then 20 into 100… you have single-handedly increased your chances of long-term success.

To all budding artists… get out there and Get Social.

—————————————————————————————————

What do yall think?  I’d love to get some feedback on the concept.

Bookmark and Share
___________________________________________________ Page 2 of 4 Newer Entries →
Home | RSS Feed | Archive

Creative Commons License
Artists House Music is licensed under a Creative Commons License. Feel free to reproduce our content. Just provide a link back to our website, and please don't use it for any commercial purpose.